In recent years, Anna Yin has focused on translating the poetry of Yan Li. His work is uniquely profound, shaped by a strong historical imprint and marked by black humour and layered metaphors that make translation particularly challenging. Yan Li shared over one hundred poems with Anna Yin, from which she translated more than fifty. Seventeen have appeared in leading English-language journals. In November 2024, Anna Yin received written authorization from Yan Li to publish this collection. While she was seeking publishers in North America and the United Kingdom, Yan Li passed away on June 24, 2026.
In his memory, SureWay Press has published this translated collection and now make the eBook available to a wider audience free of charge. We also deposited it with Library and Archives Canada (LAC) for public access to readers and scholars in universities and libraries who are interested in contemporary Chinese poetry.
Tag: book
Congratulations on Breaking into Blossom, a finalist for the 2026 Robert Kroetsch Award for Poetry at the Alberta Book Publishing Awards

2026 Robert Kroetsch Award for Poetry (Alberta Book Publishing Award)(Finalist)
A Review of Anna Yin’s Breaking into Blossom by Renée m. Sgroi
From Alice Major:
Anna Yin’s poems ‘breathe in two languages,’ creating a lovely tension between immediacy and distance that feels as though two points on a globe have been connected by a flight path. Her imagery is deeply sensual, compelling yet delicate. Her lines hover in our minds like the dream that “finds his own key, unlocks the door and comes inside.”
From Molly Peacock:
In her gorgeous book, Breaking into Blossom, Anna Yin’s poetry is like the interior of the abalone shell she depicts, “emerald… just shining.” Almost anything or anyone in this volume can break unexpectedly into blossom, including the poems themselves, often concluding with unanticipated discoveries. The book undulates with observations and the animated sur-reality of all kinds of exchanges, from an interview with a painter to the poet’s father’s late life words to a desperate woman stepping on a Forget-me-not. “The career of flowers differs from us only in inaudibleness,” Emily Dickinson wrote to her cousins, and Yin’s buoyant inspirations from poets across time, Li Po to Wallace Stevens, Akhmatova to Dickinson herself, give voice to subtly noticed feelings and thoughts. Anna Yin is fast becoming a Canadian treasure.
Susan McMaster for book review on driftwood June 2025 in Chinese & English
Terry McDonagh’s review on Live Encounters Poetry & Writing July 2025
Thanks to Queen’s Quarterly for having Kyeren Regehr interview Anna Yin on The Poet Laureate Podcast
The Poet Laureate Podcast is recorded in studio at Haus of Owl: Creation Labs—many thanks to Haus of Owl: Creation Lab and Queen’s Quarterly. I’m so glad to have been interviewed by Kyeren Regehr for the podcast!

Anna Yin received 2025 The Credits’ Cultural Heritage Award and other good news

Anna’s new poem, “Dear Sheri-D Wilson,” has been accepted by the Literary Review of Canada, a renowned Canadian magazine.
In addition, her tanka and five haiku will be featured and read in an upcoming issue of Poetry Pea Journal.
Anna has been nominated for the 2025 Civic Awards of Recognition and will attend the award night on November 18, 2025.
Anna Yin’s Poetry for Health and Harmony at 2025 Stratford Literary Festival
Canada-China Symposium on Chinese and Western Poetry Creation on July 27, 2025
On July 27, 2025, the Canada-China International Cultural Artists Association and the Canada-China International Cultural Arts Center co-hosted their First Canada-China Symposium on Chinese and Western Poetry at the New Time Club.
Ten Canadian poets and forty Chinese writers and artists were brought together to explore how poetry can preserve Chinese cultural heritage while fostering dialogue with Western traditions. The gathering emphasized mutual understanding and cultural exchange through poetic expression.
Albert Moritz, former Toronto Poet Laureate, opened with reflections on cultural differences and his visits to China. Anna Yin presented original multimedia works from her Poetry and Music project with guitarist Mark Harry. Gutu gave a talk titled “Images and Sounds” on poetic expression across cultures and languages.
Poets including Allan Briesmaster, Bunny Iskov, Diana Manole, Patrick Connors, Paul Edward Costa, Renee M. Sgroi, and other Chinese poets shared their work and insights. The event also featured performances by musicians, educators, and artists. Sincere thanks to all the guests and participants for contributing their artistic voices to foster a shared sense of connection and celebration of the arts. Many thanks to more than ten Chinese media outlets covering this event!
Keynote Speakers: Biographies and Presentation Topics
(主旨发言人:简介与演讲主题 ) Photos included

Two beautiful reviews of Anna Yin’s Breaking into Blossom (June & July 2025) Congratulations to Anna & Frontenac House!

Terry McDonagh’s review on Live Encounters Poetry & Writing July 2025! #poetry #book #review


Susan McMaster
Susan McMaster’s review on Driftwood (in Chinese &English) #poetry #book #review
MAC selected Polyphonic celebration for Mississauga’s 50th Anniversary project as 2024 success
“Poet and author Anna Yin used her Matchmaker MicroGrant to produce the ebook Polyphonic celebration for Mississauga’s 50th Anniversary – 2024. This heartfelt, community-engaged work captures the essence of local artists, particularly writers, celebrating Mississauga’s 50th anniversary through poems, stories, paintings, and photos. The ebook can be served as a “yearbook” of 2024, and captures writing in English, Chinese, Japanese, Hindi and Persian.
The book is written in three parts – the first explores the friendship between Mississauga and its sister city, Kariya, Japan, through poetry, particularly haikus. The second section features interviews with Mississauga community leaders and poetry writing on events that took place in Mississauga in 2024 and prior. Highlights include tributes to long-running Mayor Hazel McCallion and insights into what the future of Mississauga will hold. The final part showcases haikus written by students at Clifford International School in Guangzhou, China, guided by Anna during her 2024 travels. ” — Mississauga Arts Council, Oct 24, 2024

Congratulations: “Awareness” by two fine Canadian poets: Katherine L. Gordon and James Deahl
We are glad to publish “Awareness”, a fine poetry collection by two fine Canadian poets: Katherine L. Gordon and James Deahl. Live Encounters Poetry and Writings featured their poems from this book in the August issue (Katherine’s two poems & James Deahl’s two poems). Epoch Quarterly (Taiwan, 创世纪诗刊 has featured their poems from this book with Anna Yin’s translations (Chinese) in fall issue 2024 #220.


About the authors:
Katherine L. Gordon is a poet, publisher, author, editor, anthologist, judge, reviewer and literary critic. She has many books, chapbooks, co-operative books and anthologies internationally. She is the recipient of many awards including Best Foreign Author from the 9th international edition of “I Colori Dell Anima” Italy. She earned an award from The World Poetry Association for her contribution to peace poetry. Her work is translated into many languages and will appear this year in a U.S./Korean anthology and two international collections in Italy and China. Katherine believes that poetry is a unifying force across the planet.
James Deahl was born in Pittsburgh during 1945, and grew up in that city as well as in and around the Laurel Highlands of the Appalachian Mountains. He moved to Canada in 1970. He is the author or editor of over thirty books (mostly poetry) and is the author of fifteen poetry chapbooks. A cycle of his poems is the focus of a one-hour American television special, Under The Watchful Eye. As a literary critic, Deahl has written about Milton Acorn, Raymond Souster, and Bruce Meyer, as well as sixteen leading poets of the Confederation Period, and he has presented university lectures on Alden Nowlan, Robert Kroetsch, Canadian Postmodernism, and the People’s Poetry tradition.
Introduction by George Elliott Clarke, & Afterword by John B. Lee:
Awareness is the down-to-earth aspect of lofty, head-in-the-clouds Consciousness … Both poets write out of the irreconcilable tension between preserving and fostering “Paradise”… and the possibility of crafting “Utopia,” some form of communal, sharing-based governance or polity, balancing economics and ecology… Katherine’s voice is that of a transcendentalist or a shaman, she is of the Garden and James Deahl is of the Forest, James tends to position his speaker out-of-doors in uncultivated spaces, where the speaker’s reflection juxtaposes natural processes and unnatural horrors…. And the delivered personage knows: Poetry is Truth exceeding Political Science, Anthropology, and Sociology, and there ain’t no turning away.
— George Elliott Clarke, Parliamentary Poet Laureate of Canada (2016 & 17)
“If as I believe, there is a sacred duty in care-filled description, in an effort to capture a moment in lyric brevity of a well-crafted poem, to seek and find and set the best words in the best order on the page, then Katherine L. Gordon and James Deahl might be said to be doing their devoirs in the long tradition of an interweaving of poems in their fine collection Awareness….They interweave their poems so their voices achieve a kind of harmony…we come to see, to feel, to taste, to touch, (and in the music of the lines) to hear a reifying and reverential aspiration to capture the natural world…we all leave in our wake when we touch the words…although there is much to lament in our spoliation, these poems celebrate hopefulness ”
–John B. Lee, Poet Laureate of the city of Brantford, of Norfolk County and of Canada Cuba Literary Alliance













